Review: “Devara: Part 1” is a 2024 Indian Telugu-language action drama directed by Koratala Siva. The film stars N. T. Rama Rao Jr. in dual roles, alongside Saif Ali Khan, Janhvi Kapoor, Prakash Raj, Srikanth, and Shine Tom Chacko. The narrative follows Devara, a chieftain of a coastal village, who becomes embroiled in a violent feud with Bhaira, leading to a larger power struggle threatening the entire region.
Devara: Part 1 – Movie Details
- Title: Devara: Part 1
- FilmyWiz Rating: 4/5
- Director: Koratala Siva
- Lead Actors: Jr NTR, Saif Ali Khan, Janhvi Kapoor
- Genre: Action Drama
- OTT Release: Netflix (November 8, 2024)
- Cinematography: Rathnavel, with visually striking water-based village settings.
- Music: Anirudh Ravichander (Background Score and Songs).
- Runtime: 2 hr 57 min
- Release Date: September 27, 2024 (in Cinema)
“Devara: Part 1,” starring Jr NTR and Saif Ali Khan, is a cinematic attempt to blend grandeur with deep storytelling, directed by Koratala Siva. The film explores themes like fear and morality, focusing on Devara, a morally conflicted pirate leader, and Bhaira, his ruthless adversary. While the visuals, supported by Rathnavel’s stunning cinematography, create a mesmerizing backdrop, the narrative struggles with predictable arcs and emotional inconsistencies.
Jr NTR and Saif Ali Khan: A Powerful Rivalry at the Core
Jr NTR delivers a powerful dual performance as father and son, anchoring the film with his intensity. Saif Ali Khan complements this with his menacing portrayal of Bhaira, adding layers to the central conflict. However, Janhvi Kapoor’s role feels underutilized, contributing little to the overall story. Despite strong supporting performances, the emotional depth often feels superficial, reducing the impact of key moments.
Narrative Struggles: Emotional Depth and Unnecessary Subplots
The story spans two timelines, weaving a tale of morality and familial dynamics. However, the screenplay is cluttered, with excessive subplots and a romantic angle that feels unnecessary. While the action sequences and larger-than-life moments engage the audience, the film’s pacing, especially in the first half, leaves much to be desired.
Technically, the film shines with its atmospheric setting, vivid color palette, and an evocative background score by Anirudh Ravichander. Despite these strengths, the songs disrupt the narrative flow, and the movie’s three-hour runtime feels overextended. The ending, reminiscent of Baahubali, sets up the second part but raises questions about the necessity of splitting the story into two parts.
